Monday, January 1, 2018

“All About Eve” is the January Film Classic in Bigfork


This is a drama film that takes aim at the Broadway theater culture and “personality” in a way that will let you see deeply into the heart of live performance art.  “All About Eve” is a drama film sure, but just giving it a category falls short of the real depth of how one art form can describe another in such a moving manner. The industry critics loved it as much as the industry that produced it. “All About Eve” (1950) is the only film in Oscar history that received four actress nominations in the 14 total gained and ended up winning six.  A great story of a young star (played by Anne Baxter) eclipsing the career and life of an older establish one (played by Bette Davis). This one will make you think and consider how well the Hollywood film industry did in dissecting its East Coast sister industry the live Broadway industry.  This January Movie Classic will be shown on the big screen of the Edge in Bigfork by Jack Nachbar.  It will be accompanied by Jack’s presentation providing a better understanding of the time period of the movie.  Date: Thursday, January 11th . Time: 6:30PM. Price: free of charge


The movie made almost $3 millions dollars in its U.S. release and has as many twists and turns in its themes and sub-plots as imaginable. To some it was a straight-forward story about ambition and show business comparing one industry segment to another. To some it has a love triangle story between the characters.  We do know it was related to an actual situation between and aging actress and young protégé fan she gave a job to in her house which she later regretted.  The movie was very popular in the gay community possibly because Bette Davis was one of its early heroes. All of these things make for great movies and audiences then and now have lot of angles to think about and make up their own minds. Today’s viewers are even treated to an early performance by Marilyn Monroe, so you can ponder how much of the audience comprehended what this “new” star of the industry might become.  Whatever reasons prevailed in the audiences and industry in that earlier era, it was a great success.


 Bette Davis (1908-1989) was one of Hollywood’s greatest actresses. Willing to play virtually any kind of character and personality, she found work wherever and whenever she wanted.  As with many early Hollywood stars, she started out on Broadway before moving to Hollywood in 1930. So this movie certainly fit her perfectly.  With her willingness to play any kind of character, her range of films spanned the spectrum of Hollywood movies.  She was a hardcore businesswomen and often at odds with studio management. You could say her off stage personality matched her on-stage persona clashing with management, fellow actors, and writers. In general a great actor and person.


Bette was the co-founder of the Hollywood Canteen. She was the first woman to be president of the Academy of Motion Pictures, first women to be nominated for 10 Oscars, first to receive a lifetime achievement award from the American Film Institute and on and on. In 1999 she was placed second as the American Film Institute’s list of greatest female stars of classic Hollywood.


Concerning this movie Bette once admitted that her casting in this movie, “saved her career from oblivion after a series of unsuccessful movies….Joseph L. Mankiewics’s casting her in this movie resurrected me from the grave.”


Anne Baxter (May 7, 1923 – December 12, 1985) was an actress in films, stage and television. In her career she won an Oscar, Golden Globe and nominated for a prime time Emmy.  Interestingly, her selection for “All About Eve” came about due to her resemblance to Claudette Colbert who was originally picked, but was replaced by Bette Davis.  She said she played her character based on a “bitchy understudy” she had in a Broadway play when she was 13 and threatened to “finish her off”.  Anne received an Oscar nomination for Best Actress for her role in “All About Eve”.


In a odd example of life imitating art, Anne did replace Bette in a TV show when Betty became to sick to do it. This movie was the first time two actresses from one film were both nominated for the best Actress Oscar. They lobbied so hard to get the award that neither ended up getting it.



So come enjoy a great drama film on the big screen of the Edge Center from the golden years of Hollywood. Place: The Edge Center for the Arts, Bigfork. Date and time: Thursday January 11th  at 6:30PM. It will be worth going to Bigfork, because Jack will provide you with background about the movie and a cartoon of the period. An appropriate snack will be served courtesy of Jack and his wife/projectionist, Lynn

Friday, December 1, 2017

“Gigi” is the December Film Classic in Bigfork



By many, this 1958 movie was the last great MGM musical, and has all the music and romantic suspense to make it a modern day “Cinderella” story.  Set in turn of the 20th century Paris with an outstanding cast, and music that is still well known, “Gigi” should leave you smiling and happy you made the time in Bigfork  to see it. It won a record-breaking nine Oscars, won three Golden Globe awards, and many other honors including being selected for preservation in the U. S. National Film Registry by the Library of Congress. Staring Leslie Caron, Maurice Chevalier, and Louis Jourdan, it had the star power to bring in audiences and provide a nice profit for MGM.  This December Movie Classic will be shown on the big screen of the Edge Theatre in Bigfork by Jack Nachbar. It will be accompanied by Jack’s presentation providing a better understanding of the time period of the movie.  Date: Thursday, December 14th . Time: 6:30PM. Price: free of charge.


The story is how a young lady develops in the “wife and mistress” life style of Paris at that time. That means a lot of potential pitfalls and heart-breaking adventures can be in the future for the beautiful high society ladies of the period. Well Leslie’s character has to grow up in that environment with womanizers like Louis Jourden’s character and, the wiser and older Maurice Chevalier's character being mentors adding their charms to the mix. Leslie will be encouraged to follow the “family tradition” of the period and be groomed for a life of luxury and heart-aches. The “how” and if she navigates the potential mess is the movie’s story with lots of music, color and beautiful Paris as the backdrop. Come and see the movie, if you want to see what happens. 


One aspect of “Gigi” that is interesting is that is similar to “My Fair Lady,” the Broadway play running at the time.  The music for both works was done by the same team.  The lyrics for the music were by Alan Jay Lerner and the music by Fredrick Loewe.  There are similarities between the two that can’t be mistaken. This was noted by critics of the period, but by no means in a ways that detracted from their appreciation of the either project.  The movie is great and the play is great. You can read more about this similarity and about the whole film by one noted reviewer, Bosley Crowther, in his period review at: http://www.nytimes.com/packages/html/movies/bestpictures/gigi-ar.html


Leslie Caron (1931) is a Franco-American actress and dancer. Between 1951 and 2003 she appeared in 45 films.  She received two Oscar nominations, won an Emmy and is fluent in English, French and Italian. As a dancer, she is one of the few professionals who has danced with, Gene Kelly, Fred Astaire, Mikhall Baryshnikov and Rudolf Nureyev.


Leslie is a cat person and had her own cat during the filming of “Gigi”.  The cat which the director wanted to use in the movie had a particular dislike for Leslie and had to be drugged during scenes with her. This is obvious in the scene with the song “Say a Prayer for me Tonight.”


Maurice Chevalier (1888-1972) was an actor, singer and entertainer. His first working job was as an acrobat until a serious accident ended that with singing and acting taking its place. Wounded and captured in WWII he was in a POW camp where he learned English.  After the war he returned to acting and, with talkies coming on the scene, he went to the US for work in Hollywood.  Back to Europe, he worked in the business until, when he was in his 50s, he returned to the U.S., and as a graying gentleman he acted and sang in “Gigi”. 



He received a special Oscar for is work in the industry and his last song in a movie was for Disney’s “The Aristocrats.”


Louis Jourdan (1921) born in France was educated in France, Britain and Turkey.  He received acting school training in France and in 1939 got his first acting job. He refused to work for the Nazis during the war and joined the resistance instead.  In 1948 he came to the U.S. by invitation of David O. Selznick for the movie “The Paradine Case.”  He had a limited career due to the roles offered him as a old-fashioned Continental lover.

 

He never watches his own movies. He says “I’m proud to be a Frenchman, but I resent the image people have of the stupid continental charmer…Any actor who comes here with an accent is automatically put in roles as a lover…”



So come enjoy a great romantic musical on the big screen of the Edge Center from the golden years of HollyWood.  Place: The Edge Center for the Arts, Bigfork. Date and time: Thursday December 14th  at 6:30PM. It will be worth going to Bigfork, because Jack will provide you with background about the movie and a cartoon of the period. An appropriate snack will be served courtesy of Jack and his wife/projectionist, Lynn. 


Wednesday, November 1, 2017

2017 Looking in Different Directions Gallery Exhibit

Looking in Different Directions



The last show in the Edge Center Gallery for 2017 is “Looking in Different Directions” which includes art by Butch Holden, Professor Emeritus of Art at Bemidji State University, and his son, Twin Cities artist Luke Holden.  It is only fitting that this show is one of the most colorful of the year  in a month that is predominantly white out side.  Yes, winter came unexpectedly early for many of us and it came with a serious white coat of snow over a couple of days shortly before the show.  Come in from the white outside and enjoy lots of color in a variety of mediums including ceramics, photography on canvas, screen printed drawings, and paintings.  The show will be from November 2nd to December 3rd  during normal Gallery hours Thursday, Friday and Saturday from 10AM to 4PM and during events at the Edge Center. Admission is free and open to the public. There is a reception for the exhibit on Friday, November 3rd from 5PM to 7PM. Come and see the exhibits during the reception, and have some treats.

The Artists


  
Butch Holden, was the juror of the 2016 Art on the Edge Juried Show, received his B.A. in art from the University of Minnesota, Minneapolis, and his M.F.A. in ceramics from Indiana University, Bloomington. About his art, professor Holden says, “My works of pottery and photographs are a continuation of my fascination of the similarities of gardening and ceramics. When I garden, I am manipulating  all sorts of variables – soil, location, timing, temperature, water – all in the hopes of achieving a thriving plant.  Pottery is incredibly similar. I manipulate all sorts of variables – minerals, temperature, timing, water, and location (in the kiln) – all in hopes of achieving a desirable ceramic outcome…”

Holden continues, “My Drawings are based on perceptual experiences. The colors, marks and patterns that I develop are meant to evokethe sensations of a scene…”

Luke Holden, is a Twin Cities artist with a B.F.A. from Minnesota State University Moorhead.  He says that, “A When talking on the phone. Images seems to come from somewhere outside my control.  Sometimes I do not even recognize drawings I have made.  I like the irresponsible feelings of drawing anything that bubbles up as though writing down the narrative of a dream.  In my work I create processes that reduce judgement and self-critism so that I am able to draw more freely (or not at all).” 

“What comes out when my mind is a monitor, not a control panel?...The intent of my prints is to dig a tunnel between imagination and outer reality so that the two worlds can talk to each other.”

The Exhibit Samples




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Looking in Different Directions will be on display from November 2 to December 3. The Edge Center Gallery is open during Edge events and on Thursdays, Fridays, and Saturdays from 10 a.m. to 4 p.m. Admission is free including the reception. 

Friday, October 27, 2017

"Colorado Territory" is the November Film Classic in Bigfork

This 1949 movie has all the parts a great western of the period needs and it puts them together in a classic fashion.  “Colorado Territory” has action, drama, wonderful locations, romance, a train robbery, and, a musical score to match as well.  It is actually a remake of a 1941 movie “High Sierra” based on a book of the same name.  But the “Colorado Territory” version brings true 50’s style western adventure to the levels the genre deserves. “Colorado Territory” stars Joel McCrea, and Virginia Mayo.  If you like a good Western, this is one you can see many times and enjoy it all the time.  This November Movie Classic will be shown on the big screen of the Edge Theatre in Bigfork by Jack Nachbar. It will be accompanied by Jack’s presentation providing a better understanding of the time period of the movie.  Date: Thursday, November 9th. Time: 6:30PM. Price: free of charge.


A jail break by an outlaw intending to go straight, but circumstances, double dealers and a woman get in the way. With a train robbery to help out an old friend being the path to a better life, your can guess where that can lead, but the viewer is never sure what is ahead for the stars and the action.  There are enough twists and turns to this action packed western to keep the viewers attention even with the beautiful scenery. A good old train robbery plus a double crossing gang member furthers the complications that are already mixed up. The rest of the action you need to see to appreciate it, and it will not disappoint.


Joel McCrea (1905-1990) For an actor whose career spanned almost 5 decades and 75 movies with lots of different roles, it was the Western that made him most comfortable. He once said, “I always felt so much more comfortable in the western. The minute I got on a horse and a pair of boots on, I didn’t feel like I was acting anymore.” Maybe that was because he was working in film studios long before acting holding horses for stars and doing odd jobs to be around the action.   But his career included much more from a Hitchcock spy film to comedy classics.  He once listed his occupation as a rancher and his hobby as acting. 


Virginia Mayo (1920-2005) was best known for a series of comedy films with Danny Kaye and was Warner Brothers biggest money-maker in the late 1940s. But Raoul Walsh, the director of “Colorado Territory” was one of the few directors to recognize Virginia’s potential as a dramatic actress. In this movie she was not only a good dramatic actress, but played a very hard character. Her character was capable of standing toe to toe and shotgun to shotgun with her man to prove it. Her role as a “Half-breed” saloon-singer is considered one of Virginia’s best roles of her career. 


Westerns have been basic stock for movies since movies began and continued right into the television era.  Most often you just can’t beat a good western for a chance to see lots of scenery, good and bad guys, and gals, horses and lots more.  Well, partner, saddle up and come and see this one on the big screen where it was supposed to be shown in the first place.  


You can do that by coming to Bigfork and see this great film example of a Western for yourself.  And if you might need a nudge or two a little more, you can read what a reviewer of the period, Bosley Crowther, published in June 25 1949 in the New York Times: “…And that's what it is, in essence—a hard-riding, ya-hoo Western film about a good hearted, well-intending bandit who is caught in the death-grip of fate. Sprung out of jail by his henchmen and snagged by the smile of a "decent" girl, he still can't escape the environment of crime into which he has been plunged. And so he gets into that last hold-up—a two-gunned honey on a high-balling train, secretly loaded with marshals and a pair of double-crossing scalawags—he gets shot, he discovers the "good" girl's treachery and rides off, with his …. http://www.nytimes.com/movie/review?res=9403E2DC113EE03BBC4D51DFB0668382659EDE


So come and great western thriller of a movie. Place: The Edge Center for the Arts, Bigfork. Date and time: Thursday November 9th  at 6:30PM. It will be worth going to Bigfork, because Jack will provide you with background about the movie and a cartoon of the period. An appropriate snack will be served courtesy of Jack and his wife/projectionist, Lynn. 


Tuesday, October 10, 2017

Sporting Arts Show Exhibit at the Art Gallery in Bigfork


With this Sporting Arts Show at the Edge Center in Bigfork this month the gallery welcomes all Northwoods outdoor enthusiasts to its first such exhibit. The show is a celebration of how many outdoor enthusiasts in the North woods enjoy the the change of seasons from summer to winter. On display at the Edge Gallery in Bigfork until October 28, visitors at the Edge Art Gallery can see and appreciate how a number of artists put into art what this transition of seasons mean to them. The exhibit is open to the public and free of charge every Thursday, Friday and Saturday from 10AM to 4PM and during other Edge Events.


  

“We have a rich history of woods, waters, fields, and streams,” says show director Al Gustaveson. “What I envisioned was an event where painters, photographers, and artisans could come together to honor this important part of our history, heritage, and future.”



The result is a diverse exhibit whose participating artists have been featured in places as varied as Field & Stream, the Oval Office, and the movie FargoWhile the show celebrates sporting arts in many forms, a common thread throughout the exhibit is an artistic appreciation of the natural world.



The show features work from a variety of renowned Minnesota and Wisconsin artists— painter and five-time Federal Duck Stamp Competition winner Jim Hautman, wildlife painter and 2017 Minnesota Duck Stamp and Walleye Stamp artist Tim Turenne , fishing guide and Freshwater Fishing Hall of Fame artist Bob White,






Also see work by landscape artist Dan Wiemer, wildlife photographer Michael Furtman, and woodcut artists John Koch and Betsy Bowen.



Of special interest for many of the visitors, will be and example of a handmade Birch bark canoe. It was made by Jim Wodahl with instructions by Bill Hafeman. With this canoe, it may take some time to study its construction and try to figure out exactly how it was made. Hafeman Canoes are a legend in this part of Minnesota, and to get a chance to see one made with his instructions is a treat. You can't miss it because it dominates the room as they usually do. Hafeman had his "Boatworks" on highway 6 north of Deer River for years and years. My wife and I had a chance to stop and see one of these being built years ago and it was one of those "chance" stops that we will always remember.    



Once again The Sporting Arts Show will be on display at the Edge Center Gallery next to the Bigfork School until October 28 on Thursdays, Fridays, and Saturdays from 10AM to 4PM and during Edge events. Admission is free.



Wednesday, September 6, 2017

Remembering the Indian Boarding schools



Introduction

The “First They Cut Your Hair: Remembering the Indian Boarding Schools” in Bigfork shines a light on this period in our history with visual art and poetry depicting the relocation, reeducation, and cultural indoctrination of Native American children attending these  boarding schools.  The period was late 19th and early 20th centuries when Native American boarding schools were established throughout the United States and Canada in an attempt to assimilate Native American children into European-American standards. The exhibit will be on display September 7 through 30 during normal Gallery hours from 10AM to 4PM and during events at the Edge Center. Admission is free and open to the public. There is an opening reception for the exhibit on Friday, September 8 from 5PM to 7PM, which will include a poetry reading by Denise Lajimodiere from her book "Bitter Tears". The reception provides an opportunity to visit with several of the artists.




Author Denise will be reading at the Bigfork Art Gallery Reception is from her book "Bitter Tears" (above). The book of poems is a result of Denise spending years interviewing boarding school students.

Background

The photograph below shows the Carisle Indian Industrial School in Pennsylvania about 1900.  The schools separated children from their parents and placed undue hardships the entire families. Native American students were immersed in European-American culture. They had to get their hair cut, give up their traditional clothing, give up their meaningful Native names for English ones, were forbidden to speak their Native languages, and other personal hardships. The Bureau of Indian Affairs (BIA) founded the schools based on the Carisle School (below). https://en.wikipedia.org/wiki/American_Indian_boarding_schools


Since the boarding school years, the Tribal Nations have increasingly insisted on local educational opportunities and have established many tribal colleges and universities. One example is the Ilisaqvik College in Barrow Alaska (below with Bowhead Whale skull in front of the college). With at least 32 fully accredited Tribal Colleges and Universities (TCUs) in the United States, they are controlled and operated by Native Americans and are part of the Native American “institution building in order to pass on their own cultures.” https://en.wikipedia.org/wiki/Tribal_colleges_and_universities


Interestingly the use of many bilingual Native American “Code Talkers” by the armed forces during WWII was one of the most successful ways the US military had in communicating without fear of the messages being translated. Code talking was actually pioneered by Choctaw Indians in the U.S. Army in WWI.  The later deployment of Code Talkers during WWII were in more significant numbers with Navajo, Cherokee, Choctaw, Lakota, Meskwaki and Comanche GIs using thier unbreakable languages. Some of these service personnel had attended Indian boarding schools but did not loose their native language. It was puzzling for them that the government which had tried to take away their language in school, later gave them a critical role in speaking their language in military operations.  http://www.nmai.si.edu/education/codetalkers/html/chapter3.html



Exhibit

Regarding the exhibit, its Director, Karen Ferlaak, says,  "I was drawn to the subject many years ago but wasn't quite sure how to proceed with an exhibit at first. I decided to let visual art and poetry tell part of the story. Hopefully, it will encourage visitors to explore that part of our history." 


"The artwork featured is bold, provocative, and encompasses themes of pain, alienation, and... healing.The group exhibit showcases work from these Native American artists Laura Youngbird, Felix Youngbird, Steve Premo, Chholing Taha, Bobby Martin, and boarding school survivor Sam Hill..." WATTS News, Yas Scrivner.












"First They Cut Your Hair" will be on display at the Edge Gallery from September 7–30 Thursdays, Fridays, and Saturdays from 10AM to 4PM. Admission is free and open to the public. There is a reception for the exhibit on Friday, September 7th from 5PM to 7PM.  Exhibit artist, Chholing Taha, said of the reception in a Facebook post, “Great people, art, and entertainment. The art openings are a great time to meet new friends and visit with a lot of artistic talent.”